Борщ, Дмитрий Геннадиевич

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Дмитрий Геннадиевич Борщ (англ. Dmitry Gennadievich Borshch, 21 марта 1973, Днепропетровск) — художник.[1][2][3][4][5]

Биография[править | править вики-текст]

Родился 21 марта 1973 года в Днепропетровске. Учился в Москве с Э. М. Белютиным и другими художниками неофициального искусства СССР.[6] Участвовал в московских квартирных выставках.[7] Сегодня живёт в Нью-Йорке. Первые самостоятельные работы Борща — эстампы, рисунки, скульптуры — были абстрактными.[8] За ними последовал ряд неабстрактных работ под названием Exiled from Truth: Nine Allegories by Dmitry Borshch, который выставлялся в National Arts Club (Нью-Йорк), Brecht Forum (Нью-Йорк), Exit Art (Нью-Йорк), CUNY Graduate Center (Нью-Йорк), Russian American Cultural Center (Нью-Йорк), Salmagundi Club (Нью-Йорк), ISE Cultural Foundation (Нью-Йорк), Williamsburg Art and Historical Center (Нью-Йорк), Triangle Arts Association (Нью-Йорк), Parish Art Museum (Саутгемптон), Государственном центре современного искусства (Москва), Центральном выставочном зале «Манеж» (Санкт-Петербург), Agora Collective (Берлин), Mindpirates (Берлин), Frieze Art Fair (Лондон).[9][10][11]

Борщу позировали Эд Коч (Ed Koch)[12][13][14], Генри Киссинджер[15] и другие общественные деятели. Их портреты входят в «Иконографию» — круг работ, вдохновлённый «Иконографией» Антониса ван Дейка.[15] Они выставлялись в International Human Rights Law Institute of DePaul University (Чикаго), Brecht Forum (Нью-Йорк), Russian American Cultural Center (Нью-Йорк), Agora Collective (Берлин), Frieze Art Fair (Лондон).[16][17][11] В беседе с The Associative Press (TAP), a literary and arts journal,[18] о своём подходе к рисунку Борщ говорит следующее:

TAP: It seems like capturing a perfect likeness of your subjects is secondary to something else in this portrait. Can you talk about the importance to you of capturing a «meta-physical» vs. physical verisimilitude?

If by «perfect likeness» you mean a photographically precise rendering, that is not possible in my type of pen-and-ink drawing. If it were, I would not strive for it. There must be a balance between the idealized and the factual in art; photorealism, because of its overreliance on photographs, fails to achieve that. I regard a drawing as unfinished, or preparatory to a more finished one, until it achieves a metaphysical significance.[19]

Галерея[править | править вики-текст]

Публикации[править | править вики-текст]

  • CutBank Literary Magazine. University of Montana. Issue 80
  • Stone Canoe, A Journal of Arts, Literature and Social Commentary. Syracuse University. Issue 8
  • Devil's Lake. A literary journal at the University of Wisconsin – Madison. Fall 2013
  • Can I Say. A memoir by Christopher Locke. Kattywompus Press. 2013
  • Cleaver Magazine. Issue 4. ISSN 2330-2828
  • Sheepshead Review. University of Wisconsin – Green Bay's Journal of the Arts. Volume XXXVI, Number I. Fall 2013
  • Watershed Review. California State University, Chico's Literary Magazine. Fall 2013
  • Blue Mesa Review, a literary magazine of the University of New Mexico. Issue 28. December 2013
  • Superstition Review. Arizona State University. Issue 12 Fall 2013. ISSN: 1938-324X
  • Palaver, journal of interdisciplinary research. University of North Carolina Wilmington. Fall 2013
  • Cactus Heart. Issue 6. Winter 2013
  • Whole Beast Rag. Issue 07: Homme
  • Flyway: Journal of Writing and Environment. Iowa State University. December 2013
  • FLARE: The Flagler Review. Flagler College (St. Augustine, Florida). Volume 24, Issue 1. Fall 2013
  • Portland Review, literary journal of Portland State University. Volume 60.1. Fall 2013
  • Switchback, University of San Francisco literary magazine. Issue 18, volume 9. 2013
  • The Doctor T. J. Eckleburg Review. Never Complete
  • PANK Magazine, 4th annual Queer Issue, October 2013
  • Bayou Magazine Blog. University of New Orleans, Creative Writing Workshop. October 1, 2013
  • Sein und Werden: Glamourama Issue. Autumn 2013. ISMs Press ISSN 2046-8598
  • Agave Magazine. Volume 1, Issue 1 {Summer/Fall 2013} ISSN 2329-5848
  • The Adirondack Review. Fall 2013 ISN# 1533-2063
  • theNewerYork Press. Book 3. 2013
  • Counterexample Poetics: Assemblage of Experimental Artistry. ISSN 1947-9697
  • Gilmar R. Silva. Sem Trabalho — Como Sobreviver Num Mundo Sem Empregos. 2013
  • Owen Wister Review, The Literary Arts Journal of the University of Wyoming. 2013
  • Blue Lyra Review. Poetry Issue 2.3 Fall 2013
  • SAND, Berlin’s English Literary Journal. Issue 7, 2013
  • 580 Split, Annual Journal of Arts and Literature. Mills College. Issue 15: Obsession
  • Perceptions: A Magazine of the Arts. Mt. Hood Community College. 2013 (Art Award Winner: Dmitry Borshch)
  • The Nassau Review. Nassau Community College Literary Journal. 2013 Issue: Ekphrasis
  • Ayris, art and literary magazine. New Hampshire Institute of Art. 2013 issue
  • Ayris Online. Editors’ Choice: Dmitry Borshch
  • Artdiscover on Facebook: Dmitry Borshch
  • ellipsis… literature and art. Westminster College. Volume 49, 2013
  • Redivider, A Journal of New Literature and Art. Emerson College. Issue 10.1, Winter 2013
  • Pear Noir! Journal of Art and Literature. Issue 9, Winter 2013
  • Gargoyle Magazine. Issue 60, Summer 2013
  • Print Oriented Bastards, a literary magazine supported by Carnegie Mellon University. Issue 3, Spring/Summer 2013
  • The Doctor T. J. Eckleburg Review. A Literary & Arts Journal Housed at The Johns Hopkins University. May 2013
  • Rabbit Catastrophe Review. Issue 5, January 2013
  • Loaded Bicycle, A Journal of Poetry, Art, and Translation. Issue 2.1
  • Palimpsest, A Creative Journal of the Humanities, 2012. Published by University of Colorado at Boulder Literaria Society
  • Burnside Writers Collective. 7 Minutes in Heaven with Dmitry Borshch
  • Культурология. Ру. Синим по белому. Оригинальные рисунки советского американца Дмитрия Борща (Dmitry Borshch)
  • 20×20 magazine. Issue 9: A Serious Game. Winter 2012
  • Penumbra Magazine. Saint Louis University — Madrid. Issue I, Volume I. Fall/Winter 2012
  • «Daughters of the Dust» Miami New Times, July 2, 2012
  • Hesa Inprint, Rhythm — Rytmi issue. 2012. ISSN 1799-8557
  • Personhood. Beuyscout Editions. Beuyscouts of Amerika. Spring 2012
  • The Quotable Magazine. Issue 6, 2012
  • Kurier, the Russian-American weekly newspaper. Сине-белый минимализм. September 16, 2011 (Vol. XI #9)
  • Cæsura, the journal of Poetry Center San José. 2011 issue: Brothers and Sisters
  • The Associative Press, literature and arts journal. Fall 2011 issue
  • So to Speak, a feminist journal of language and art. George Mason University. Spring 2011 issue
  • ARTstor, Now available: Drawings by contemporary artist Dmitry Borshch
  • «An Exchange with Sol LeWitt» (каталог). Published by Cabinet Books and MASS MoCA. A curatorial project by Regine Basha. 2011
  • Itch, The Journal of Creative Expression of the School of Literature, Language and Media. University of the Witwatersrand. e.ISSUE 06: On Showing I’s and Seeing Eyes
  • The Chaffey Review. Chaffey College. Volume 5, 2011
  • Salt Hill Journal. Syracuse University. Issue 26, 2010
  • Specs journal of arts and culture. Rollins College. Issue 3: Toys. 2010
  • ZYZZYVA. The last word: West Coast writers and artists. Vol. XXVI, No. 3. Winter 2010
  • Rio Grande Review. University of Texas at El Paso. Issue 36, Fall 2010
  • Anti-, Journal of Art and Poetry. Issue 45, July 2010.
  • Tulane Review, published by Tulane Literary Society. Spring 2010 issue
  • Simon, A. Fine Art Adoption Network: Art in General New Commissions Program Book Series, Vol. VII. ISBN 1-934890-07-3 ISBN 978-1-934890-07-3
  • «Masterpieces on a Dime» Express Styles, July 18 — 20. Express: A Publication of The Washington Post. 2008
  • Allied Artists of America, Inc. 95th Annual Exhibition, Dmitry Borshch awarded the National Arts Club award for graphics. (каталог). 2008
  • Art In Brooklyn: Dmitry Borshch

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