IsiZulu: Umfanekiso othi, Dingan ekhaya, ekhasini 209, umelela indlela umuntu omnyama alala ngayo. Umuntu ohlezi etafuleni yinkosi enkulu yase-Afrika, u-Dingan, futhi umfundi uzoqaphela ukuthi umbhede wakhe umata nje, nokuthi umcamelo wakhe uwukhuni kuphela. Iqhugwane elimelwe lapha yilelo elidumile alakha edolobheni lakubo i-Unginglove, futhi laliphawuleka ngokukhethekile ngoba lalisekelwe izinsika ezingamashumi amabili. Indawo yomlilo yaleli qhugwane yayiphawuleka ngokuma kwayo, okwathi, esikhundleni sokuthi ibe yindilinga nje evamile phakathi kwabantu abamnyama, ifane nesimo salowo mhlobiso owaziwa ngabakhi bezakhiwo ngegama le-quatrefoil. Amakhosikazi akhe ambalwa abonakala ehlezi ezungeza indlu, futhi, njengoba uDingan wayeyindoda enkulu kangaka, babengavunyelwe ukuma baqonde, noma ngisho nokusebenzisa izinyawo nganoma iyiphi indlela, ukuze, ofisa ukuphuma kwenye ingxenye yeqhugwane baye kwelinye, baphoqeleka ukuthi banyakaze beguqe ngamadolo. Umfanekiso uthathwe emdwebeni kaKapteni Gardiner, owamenywa uDingan kwinhlolokhono eyayisendlini, okwathi phakathi nenhlolokhono wamangaza isivakashi sakhe ngokuthatha umhlalaphansi isikhashana, wabe eseziveza ubuso bakhe, izitho nemilenze umzimba umbozwe ngokuphelele amachashaza abomvu namhlophe, njengalawo amahhashi amathoyizi. Umfundi angakwazi ukwakha, ngokucabanga ngalo mdwebo, umqondo onembe ngokubekezeleleka wezinto eziwubukhazikhazi ezitholakala ngempilo yasendle, enonya abanye ababhali abathanda ukuyincoma.

Identifier: uncivilizedraces00wood (find matches)
Title: The uncivilized races of men in all countries of the world : being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Year: 1878 (1870s)
Authors: Wood, J. G. (John George), 1827-1889
Subjects: Ethnology Manners and customs Savages
Publisher: Hartford : J. B. Burr and company
Contributing Library: University of California Libraries
Digitizing Sponsor: Internet Archive

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me. In this point they aid themselves by the violent gestures in which they indulge. A Kaffir differs from an European vocalist in this point, namely, that he always, if possible, sits down when he sings. He and his companions will squat in a circle, sometimes three or four rows deep, and will shout some well-known song at the top of their voices, sway- of course, the quality of a Kaffir's voice is not that which would please an European vocalist. Like all uncultivated songsters, the Kaffir delights in strong contrasts, now using a high falsetto, and now dropping suddenly into a gruff bass. It is a very remarkable fact that this method of managing the voice is tolerably universal throughout the world, and that the accomplished vocalist of Kaffirland, of China, of Japan, of Persia, and of Arabia, sings with exactly that falsetto voice, that nasal twang, and that abrupt transition from the highest to the lowest notes, which characterize our uneducated singers in rural districts. Put a Wiltshire
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(a.) WOMEN QUARRELLING. (See page 213.)(209) MUSICAL INSTRUMENTS. 211 laborer and a Chinese gentleman into different rooms, shut the doors so as to exclude the pronunciation of the words, ask them to sing one of their ordinary songs, and the hearer will scarcely be able to decide which room holds the English and which the Chinese vocalist. In the specimens of music which have been given, the reader will notice in several places the sudden rise or drop of a whole octave, and also the curiously jerking effect of many passages, both eminently characteristic of music as performed in country villages where modern art has not modified the voice. The musical instruments of the Kaffir are very few, and those of the most simple kind. One is the whistle that is often diverted from its normal duty as a mere whistle, to become a musical instrument, which, although it has no range of notes, can at all events make itself heard through any amount of vocal accompaniment. And, as a Kaffir thinks that a song is no

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