ОписаниеToo-Much-Johnson-Ash-Houseman-Cuba.jpg	English: Photograph of Mercury Theatre stage manager Walter Ash (with palm fronds) and John Houseman during the shooting of film sequences for the Mercury Theatre production Too Much Johnson Paul Dunbar (left), a newsreel cameraman for Pathé News, was the film's cinematographer Feature story is titled "Metro-Goldwyn-Mercury" (no author credit) Photo caption reads as follows: To represent the landscape of Cuba, where part of the action takes place, Mr. Welles chose a rock quarry up the river near Haverstraw. If everything goes well, the palm fronds held by Walter Ash will seem to be swaying in the breeze. Lying on the ground, holding a palm frond in one hand and a sign in the other, is the dignified, scholarly co-director of the Mercury Theatre, Mr. John Houseman.
Дата	сентябрь 1938
Источник	Self scan from Stage magazine from September 1938, Volume 15, Number 12 (page 30)
Автор	Stage Publishing Company, Inc., photo credited to Herzog at top right margin
Права (Повторное использование этого файла)	Public domainPublic domainfalsefalse Это произведение находится в общественном достоянии, поскольку оно было опубликовано в США между 1929 и 1963 годами и авторское право на него не было возобновлено, вне зависимости от того, присутствовало ли изначально или нет уведомление об авторских правах. Если автор не умер определённое количество лет назад, то это произведение защищено авторским правом в странах и на территориях, не применяющих правило более короткого срока для произведений из США, например, в Канаде (70 p.m.a.), Континентальном Китае (50 p.m.a., не в Гонконге и Макао), Германии (70 p.m.a.), Мексике (100 p.m.a.), Швейцарии (70 p.m.a.), а также других странах в соответствии с индивидуальными соглашениями. См. дополнительные пояснения на странице Commons:Hirtle chart. العربية ∙ Deutsch ∙ English ∙ español ∙ français ∙ galego ∙ italiano ∙ 日本語 ∙ 한국어 ∙ македонски ∙ português ∙ português do Brasil ∙ русский ∙ sicilianu ∙ slovenščina ∙ українська ∙ 简体中文 ∙ 繁體中文 ∙ +/−

Statement of copyright appears on page two: "Entire contents copyrighted 1938, by STAGE Publishing Company, Inc., 50 East 42nd Street, New York City." September issue was copyrighted in 1938 (page 355) by Stage Publishing Co., Inc.

A search has found no copyright renewal for Stage or Stage Publishing Company, or for the magazine's publisher John Hanrahan, in 1963, 1964, 1965, 1966 and 1967. No evidence of copyright renewal for Stage magazine can be found.

• January–June 1962 (1934 issues were originally copyrighted to John Hanrahan)
• July–December 1962 (1934 issues were originally copyrighted to John Hanrahan)
• January–June 1963
• July–December 1963
• 1964
• 1965
• 1966 (page 419)
• 1967; The New York Times reports that the magazine ceased publication in 1939 (see below)

An obituary for publisher John Hanrahan appeared in The New York Times on March 23, 1964, reading in part as follows:

John Hanrahan, a former magazine publisher and pub­lishers' counsel, died Saturday in Sarasota, Fla. He was 76 years old.

Mr. Hanrahan, who had helped put the fledgling New Yorker magazine on a firm financial footing and who had been publisher and editor of the old Stage magazine, retired some 15 years ago. He was policy counsel to The New Yorker from 1923 to 1938.

In 1931 Mr. Hanrahan be­came the publisher of Stage magazine, originally the Theatre Guild magazine. In 1935 he broadened the scope of Stage to include motion pictures, sup­per clubs and other forms of entertainment. The magazine ceased publication in 1939.